Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that individuals actually delight in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I pick inks, pretreatments, and materials for custom-made garments jobs. For many years, I've found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely results and real comfort, specifically for T shirt printing that needs to stand up to daily wear.
If you run a brand, handle bulk t shirt orders, or just desire your personalized t-shirts to feel like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The best choice can make the distinction between a shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a movie, water based inks absorb into the fibers. That single characteristic explains the majority of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For custom t t-shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are 2 main families: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either require a heavier print or you switch to release. Discharge printing utilizes an activator that lifts the dye from the material during treating, basically whitening the shirt's dye in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks normally consist of fewer unstable natural compounds than solvent-heavy options and prevent PVC completely. Many are compliant with rigorous requirements like Oeko-Tex or meet retail screening programs that prohibit particular phthalates and heavy metals. If you offer customized clothing into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead T shirt printing designs of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You also require to take a look at store practices: purification on your washout booth, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, typically based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, direct exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most people do not buy a graphic tee since they enjoy the ink. They purchase it since the garment looks excellent, feels excellent, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you extend throughout the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers choose, but the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, however you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Lots of designers welcome the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for corporate logos, either order test prints on the specific batch you plan to utilize or think about a water based underbase or hybrid technique where required. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton portion. That implies your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you need to print on completed garments, anticipate small voids along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which works on material but can lock a mesh if you pause too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a consistent range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will discover how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent pace, decrease clogging.
Curing is where numerous beginners miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough air flow makes the distinction. You desire even heat across the belt and enough dwell to reach the maker's cure temperature level throughout the ink layer, not just at the surface. T-shirts leaving the tunnel needs to be dry to the touch without any cool areas. For discharge, the chemical reaction happens during this remedy, and you will smell the activator. Great ventilation is non-negotiable.

Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and breaking. Water based prints show progressive softening and a mild fade in the very same method jeans relaxes. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For customized t-shirts that require to look good at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be a little slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles perform at similar speeds. Where it truly settles remains in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with several colorways and must keep stock versatile, a flexible water based palette on light garments is effective, because you prevent the weight and tightness that build up with numerous underbases in plastisol.
Design planning starts with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can fill in with discharge, especially on high-absorbency cotton. If you require razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than trusting a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small odor throughout curing, discharge days in the store are visible. Well-managed airflow reduces this, but it is part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that eliminates guesswork. A basic method keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own constraints: quick art modifications, small batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize catalog strategy. For styles that are high volume even at small day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I explain what they are purchasing. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, frequently a small uplift that can be neutralized by choosing a slightly more economical blank. If the program is for wholesale t t-shirts entering into stores or e-commerce at premium rate points, the enhancement in perceived value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, options matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels often read like legal disclaimers. Keep it basic and practical so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain typical laundering if properly treated. I recommend phrasing care tips in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters because some softeners can deposit films on fibers, dulling the visual contrast of fine lines.
I've tested these instructions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little much faster fading of mid-tones, yet still looked excellent. That tolerance comes from correct cure, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The ended up garments check out as customized from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that felt like it resided in the material. We sampled on 3 blacks from 2 mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The result: constant tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the ideal period. Utilize a donut probe or an embedded thermochromic strip to determine true ink film temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood in between prints, and control shop humidity.
A 3rd pitfall is overlooking fabric irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Develop contingency into your acquiring. For brands planning ahead, picking a basic blank and locking it with your supplier reduces surprises.
If your priority is soft, breathable custom clothing that customers keep using, water based inks deserve the knowing curve. Usage basic water based upon light garments for tidy information and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for minor color variation with discharge, particularly throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will use, then document your settings and keep back a referral shirt for quality control.
If you run a print as needed catalog, carve out a water based capsule of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels absolutely nothing but fiber, you've won. That's the minute water based and discharge deliver, and why they deserve a place in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515