Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in continuous tension: the push for softer, more breathable prints that individuals actually delight in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually formed how I choose inks, pretreatments, and materials for custom garments jobs. For many years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce lovely results and genuine comfort, particularly for T shirt printing that requires to withstand day-to-day wear.
If you run a brand, handle bulk t shirt orders, or simply want your customized shirts to seem like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right choice can make the difference between a t-shirt that gets used once and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a movie, water based inks absorb into the fibers. That single characteristic explains most of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For customized t shirts developed for convenience, this is the path to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a much heavier print or you switch to release. Discharge printing uses an activator that raises the color from the material during curing, basically whitening the t-shirt's dye in the printed locations, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally consist of fewer unstable natural compounds than solvent-heavy options and prevent PVC entirely. Numerous are compliant with rigorous standards like Oeko-Tex or satisfy retail testing routines that ban specific phthalates and heavy metals. If you sell custom apparel into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also require to look at shop practices: filtering on your washout booth, recover chemistry, energy usage on your dryer, and even material sourcing. Discharge needs an activator, normally based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run shop, direct exposure is controlled and waste is caught. If you're using print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.
Most individuals do not buy a graphic tee because they love the ink. They buy it because the garment looks great, feels great, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in convenience from the first day. On an one digitizing services hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you extend across the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear customers prefer, but the user feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still working with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Many designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color reproduction for corporate logo designs, either order test prints on the specific batch you prepare to utilize or consider a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just lifts the cotton portion. That means your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vivid color on a poly blend, traditional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on finished garments, anticipate little spaces along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which is useful on material but can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print room humidity in a consistent variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will notice how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent speed, minimize clogging.
Curing is where lots of newbies fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient airflow makes the difference. You want even heat across the belt and enough dwell to reach the manufacturer's remedy temperature throughout the ink layer, not simply at the surface area. T-shirts exiting the tunnel should be dry to the touch with no cool areas. For discharge, the chain reaction takes place throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and breaking. Water based prints show progressive softening and a gentle fade in the same method denim relaxes. Plastisol's failure mode is various, normally splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look good at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be a little slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles perform at comparable speeds. Where it actually settles remains in viewed worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires over night turn-around and art modifications continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t t-shirts with numerous colorways and must keep inventory versatile, a flexible water based combination on light garments is effective, since you prevent the weight and stiffness that accumulate with several underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with DTG wash durability mid-tone richness and soft edges. Consider how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you need razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and color lift.

There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor throughout curing, discharge days in the store are obvious. Well-managed airflow alleviates this, however it is part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that eliminates uncertainty. An easy approach keeps surprises at bay and helps you hit due dates for launches and events.
Print as needed has its own restraints: quick art modifications, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you arrange brochure technique. For designs that are high volume even at small day-to-day quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol task, I discuss what they are buying. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a small uplift that can be neutralized by selecting a somewhat more economical blank. If the program is for wholesale t shirts going into stores or e-commerce at exceptional cost points, the improvement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, choices matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and realistic so the t-shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will sustain regular laundering if properly treated. I recommend phrasing care tips in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid fabric conditioners if you want colors to stay crisp. The last note matters since some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat much faster fading of mid-tones, yet still looked good. That tolerance originates from proper remedy, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of combating joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The completed garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that seemed like it resided in the material. We tested on three blacks from two mills. Batch one raised easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temp for the ideal duration. Use a donut probe or an ingrained thermochromic strip to determine true ink film temperature, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control store humidity.
A 3rd risk is neglecting fabric variability. If you switch blanks mid-run since a size is out of stock, you may see shifts in color. Develop contingency into your purchasing. For brand names planning ahead, selecting a basic blank and locking it with your supplier decreases surprises.
If your top priority is soft, breathable custom-made clothing that clients keep wearing, water based inks deserve the learning curve. Use basic water based upon light garments for tidy information and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for minor color variation with discharge, particularly across color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then document your settings and keep back a recommendation t-shirt for quality control.
If you run a print on demand catalog, take a water based pill of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a consumer rubs their thumb across a print and feels nothing but fiber, you've won. That's the minute water based and discharge deliver, and why they deserve a place in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515