Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people actually enjoy wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has shaped how I choose inks, pretreatments, and materials for custom clothing tasks. For many years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely results and genuine convenience, especially for T t-shirt printing that needs to withstand everyday wear.
If you run a brand, manage bulk t shirt orders, or merely want your tailored t-shirts to seem like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The best option can make the distinction in between a t-shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks soak up into the fibers. That single characteristic discusses most of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently equivalent from the t-shirt itself. For customized t t-shirts developed for comfort, this is the course to the "retail feel" customers ask for.
There are two main households: basic water based and discharge. Standard water based ink works best on white or really light Plastisol ink t-shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either require a heavier print or you change to release. Release printing utilizes an activator that lifts the dye from the fabric during curing, essentially whitening the t-shirt's color in the printed locations, then changes it with your pigment. Completion result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally include fewer volatile organic compounds than solvent-heavy alternatives and avoid PVC entirely. Many are certified with strict standards like Oeko-Tex or meet retail screening programs that prohibit specific phthalates and heavy metals. If you sell custom garments into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also require to look at store practices: filtering on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, typically based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is managed and waste is captured. If you're using print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls called in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee due to the fact that they like the ink. They purchase it due to the fact that the garment looks great, feels great, and keeps that character after duplicated washing. Water based inks, consisting of discharge, give you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases get from heavy plastisol when you extend throughout the chest.
I keep a rack of comparison t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients prefer, however the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still working with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Lots of designers welcome the a little classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color reproduction for business logo designs, either order test prints on the precise batch you prepare to utilize or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton part. That indicates your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks DTF vs DTG intentional if you style for it. If your objective is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on ended up garments, anticipate little voids along joints, which some clients like as part of the garment's character.

Water based inks act differently on press. They dry faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a constant range, approximately 45 to 55 percent, to avoid early drying. Manual press operators will see how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, minimize clogging.


Curing is where lots of newbies miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the distinction. You want even heat throughout the belt and sufficient dwell to reach the maker's treatment temperature level throughout the ink layer, not simply at the surface. Shirts exiting the tunnel ought to be dry to the touch with no cool areas. For discharge, the chain reaction occurs throughout this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and splitting. Water based prints reveal progressive softening and a mild fade in the very same way jeans unwinds. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For customized t-shirts that require to look proficient at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars perform at similar speeds. Where it actually settles is in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t t-shirts with numerous colorways and need to keep stock flexible, a flexible water based combination on light garments is effective, because you prevent the weight and tightness that build up with multiple underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can complete with discharge, specifically on high-absorbency cotton. If you require razor unfavorable space, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell throughout curing, discharge days in the shop are visible. Well-managed air flow alleviates this, however it belongs to the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that gets rid of uncertainty. An easy method keeps surprises at bay and assists you struck due dates for launches and events.
Print as needed has its own restrictions: quick art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize brochure strategy. For styles that are high volume even at little everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are purchasing. They get the soft hand that retail consumers equate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, typically a small uplift that can be reduced the effects of by selecting a somewhat more cost-effective blank. If the program is for wholesale t shirts going into shops or e-commerce at superior cost points, the enhancement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and realistic so the t-shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure regular laundering if correctly treated. I suggest phrasing care pointers in human terms on product pages: wash cold with similar colors, topple dry low, avoid fabric softeners if you want colors to remain crisp. The last note matters since some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I've checked these instructions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly faster fading of mid-tones, yet still looked great. That tolerance originates from proper treatment, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The ended up garments read as custom from a range, which is the goal.
One spring we ran a series for a regional music celebration. The customer desired soft black tees with a sunburst print that seemed like it lived in the material. We tested on 3 blacks from 2 mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: constant tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the first perpetrator. Water based ink that feels vector vs raster for DTG dry can still be under-cured if the core of the print never hit the needed temperature for the right duration. Utilize a donut probe or an ingrained thermochromic strip to measure real ink film temperature level, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood in between prints, and control store humidity.
A third risk is ignoring material variability. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Construct contingency into your getting. For brands planning ahead, selecting a basic blank and locking it with your provider reduces surprises.
If your concern is soft, breathable custom clothing that clients keep using, water based inks deserve the learning curve. Usage standard water based upon light garments for tidy information and matte color. Transfer to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and plan for small color variance with discharge, especially across color lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will use, then document your settings and keep back a referral t-shirt for quality control.
If you operate a print as needed brochure, take a water based pill of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a place in any serious store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515