Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people in fact delight in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I pick inks, pretreatments, and fabrics for custom-made clothing tasks. For many years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce lovely results and real comfort, specifically for T t-shirt printing that needs to withstand everyday wear.
If you run a brand name, handle bulk t t-shirt orders, or merely want your personalized t-shirts to feel like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The best option can make the difference in between a t-shirt that gets used when and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks soak up into the fibers. That single characteristic describes most of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For custom t t-shirts developed for convenience, this is the course to the "retail feel" customers ask for.
There are 2 primary households: standard water based and discharge. Basic water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either need a much heavier print or you change to release. Release printing utilizes an activator that raises the color from the fabric throughout curing, essentially bleaching the t-shirt's dye in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically include fewer volatile natural substances than solvent-heavy options and prevent PVC completely. Many are compliant with strict requirements like Oeko-Tex or meet retail screening programs that ban specific phthalates and heavy metals. If you sell custom garments into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also need to take a look at shop practices: purification on your washout booth, reclaim chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run store, exposure is controlled and waste is recorded. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability conceals in the details.
Most people do not buy a graphic tee since they love the ink. They purchase it since the garment looks good, feels excellent, and keeps that character after repeated washing. Water based inks, consisting of discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you stretch across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear customers prefer, however the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, but you're still working with a background that is moving as the dye is removed.
That's not a flaw, it's part of the medium. Many designers embrace the a little classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color recreation for business logos, either order test prints on the exact batch you plan to utilize or consider a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton portion. That indicates your color fills the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on ended up garments, expect small spaces along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a consistent variety, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will see how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant pace, decrease clogging.
Curing is where lots of beginners miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You want even heat across the belt and enough dwell to reach the producer's cure temperature level throughout the ink layer, not simply at the surface. T-shirts exiting the tunnel should be dry to the touch with no cool spots. For discharge, the chemical reaction happens throughout this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on proper remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints reveal gradual softening and a mild fade in the exact same method jeans unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For individualized shirts that require to look proficient at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, cars run at comparable speeds. Where it really pays off is in perceived worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires overnight turn-around and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with several colorways and must keep stock flexible, a versatile water based palette on light garments is effective, given that you avoid the weight and tightness that collect with numerous underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, especially with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell during curing, discharge days in the store are obvious. Well-managed airflow mitigates this, however it is part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that eliminates guesswork. A basic approach keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own constraints: quick art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you organize catalog method. For designs that are high volume even at small everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol task, I explain what they are purchasing. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a small uplift that can be reduced the effects of by choosing a somewhat more affordable blank. If the program is for wholesale t shirts entering into stores or e-commerce at premium cost points, the improvement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, alternatives matter. Deal a base price with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it basic and reasonable so the shirt endures real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will withstand normal laundering if correctly treated. I suggest phrasing care suggestions in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric conditioners if you desire colors to stay crisp. The last note matters since some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I have actually checked these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat much faster fading of mid-tones, yet still looked excellent. That tolerance originates from correct remedy, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brands that offer minimal runs print on demand shirts can justify cut-and-sew for 100 to 300 pieces if the style requires it. The ended up garments check out as custom from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer desired soft black tees with a sunburst print that felt like it resided in the material. We sampled on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The result: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temperature for the best period. Use a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent rate on press, flood in between prints, and control store humidity.
A third mistake is disregarding material irregularity. If you change blanks mid-run since a size runs out stock, you might see shifts in color. Develop contingency into your purchasing. For brands planning ahead, choosing a basic blank and locking it with your provider lowers surprises.
If your priority is soft, breathable custom-made apparel that customers keep using, water based inks are worth the knowing curve. Usage standard water based upon light garments for tidy detail and matte color. Relocate to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for slight color difference with discharge, particularly throughout color lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then record your settings and keep back a recommendation shirt for quality control.
If you run a print as needed brochure, carve out a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels absolutely nothing however fiber, you've won. That's the minute water based and discharge deliver, and why they should have a location in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515