Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that individuals actually take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I pick inks, pretreatments, and materials for customized clothing projects. Over the years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce gorgeous outcomes and genuine comfort, especially for T t-shirt printing that needs to withstand everyday wear.
If you run a brand, manage bulk t t-shirt orders, or merely want your customized t-shirts to seem like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The ideal choice can make the difference between a t-shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks absorb into the fibers. That single characteristic explains the majority of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently identical from the shirt itself. For custom t t-shirts created for convenience, this is the path to the "retail feel" clients ask for.
There are 2 main families: basic water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the ideal base, once you move into darker fabrics, you either need a heavier print or you change to release. Release printing utilizes an activator that lifts the color from the material during curing, essentially whitening the t-shirt's color pretreatment solution in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically consist of fewer volatile natural substances than solvent-heavy options and prevent PVC entirely. Numerous are certified with rigorous standards like Oeko-Tex or satisfy retail testing programs that prohibit certain phthalates and heavy metals. If you offer custom garments into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.

That stated, "eco friendly" is a system concept. Ink is one part. You also need to take a look at shop practices: purification on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, usually based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is recorded. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee because they love the ink. They buy it because the garment looks great, feels good, and keeps that character after duplicated cleaning. Water based inks, including discharge, give you that broken-in convenience from on-site embroidery the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases obtain from heavy plastisol when you extend throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear clients choose, but the user feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different color lots discharge in a different way, even within the same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still dealing with a background that is moving as the color is removed.
That's not a defect, it belongs to the medium. Numerous designers accept the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for business logos, either order test prints on the specific batch you plan to utilize or think about a water based underbase or hybrid technique where required. For wholesale t t-shirts that will be distributed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton part. That means your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vibrant color on a poly blend, traditional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on finished garments, anticipate little spaces along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a constant range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant speed, lower clogging.
Curing is where many newbies fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the difference. You want even heat across the belt and adequate dwell to reach the maker's cure temperature throughout the ink layer, not just at the surface area. Shirts leaving the tunnel should be dry to the touch without any cool areas. For discharge, the chain reaction takes place during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and splitting. Water based prints reveal gradual softening and a mild fade in the same method denim relaxes. Plastisol's failure mode is different, normally breaking if the ink layer is too thick or under-cured. For tailored t-shirts that require to look proficient at a family reunion and still be in rotation next summer season, water based DTG printer cost holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos run at comparable speeds. Where it truly settles is in perceived value. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs over night turn-around and art changes constantly, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with several colorways and must keep stock versatile, a flexible water based scheme on light garments is effective, considering that you avoid the weight and stiffness that collect with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, especially on high-absorbency cotton. If you require razor negative space, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than relying on a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor odor during treating, discharge days in the shop are obvious. Well-managed airflow reduces this, but it belongs to the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles often sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes guesswork. A simple method keeps surprises at bay and assists you hit due dates for launches and events.
Print on demand has its own restrictions: fast art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize brochure strategy. For styles that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I describe what they are buying. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a small uplift that can be reduced the effects of by picking a slightly more affordable blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at exceptional cost points, the improvement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it easy and sensible so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will sustain normal laundering if correctly cured. I suggest phrasing care tips in human terms on product pages: wash cold with comparable colors, topple dry low, prevent fabric conditioners if you want colors to remain crisp. The last note matters since some conditioners can deposit movies on fibers, dulling the visual contrast of great lines.
I've tested these instructions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly much faster fading of mid-tones, yet still looked excellent. That tolerance comes from right treatment, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The completed garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that felt like it resided in the fabric. We tested on 3 blacks from two mills. Batch one raised cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the ideal period. Use a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not just clothes dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood between prints, and control store humidity.
A third pitfall is ignoring material variability. If you change blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Construct contingency into your getting. For brands preparing ahead, choosing a basic blank and locking it with your supplier minimizes surprises.
If your priority is soft, breathable custom apparel that clients keep using, water based inks are worth the learning curve. Use basic water based on light garments for clean information and matte color. Relocate to release on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for minor color variation with discharge, especially throughout color lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then document your settings and hold back a reference shirt for quality control.
If you run a print as needed brochure, take a water based pill of finest sellers on light t-shirts. Screen burning Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.


Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels absolutely nothing but fiber, you have actually won. That's the minute water based and discharge deliver, and why they deserve a location in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515