Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that individuals in fact enjoy using, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has formed how I choose inks, pretreatments, and materials for custom garments jobs. Throughout the years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and real convenience, especially for T shirt printing that requires to withstand everyday wear.
If you run a brand, manage bulk t t-shirt orders, or just want your customized t-shirts to seem like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the distinction between a shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single characteristic explains the majority of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently identical from the t-shirt itself. For custom t shirts developed for convenience, this is the course to the "retail feel" customers ask for.
There are 2 main families: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either require a much heavier print or you switch to release. Release printing uses an activator that raises the color from the material during treating, basically bleaching the shirt's dye in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks typically contain less unstable organic compounds than solvent-heavy alternatives and avoid PVC entirely. Numerous are certified with rigorous standards like Oeko-Tex or satisfy retail testing routines that ban certain phthalates and heavy metals. If you sell customized apparel into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You also need to look at store practices: filtration on your washout booth, recover chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is captured. If you're utilizing print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Real sustainability hides in the details.
Most people do not buy a graphic tee since they like the ink. They buy it due to the fact that the garment looks good, feels great, and keeps that character after repeated washing. Water based inks, including discharge, provide you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often obtain from heavy plastisol when you stretch across the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients prefer, however the user feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, however you're still working with a background that is shifting as the dye is removed.
That's not a defect, it's part of the medium. Many designers welcome the somewhat vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for business logo designs, either order test prints on the specific batch you plan to utilize or think about a water based underbase or hybrid method where required. For wholesale t shirts that will cheap t shirt printing be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton portion. That means your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if text printing on shirts you design for it. If your objective is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that appear as blank micro-gaps. If you must print on completed garments, anticipate small voids along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant speed, decrease clogging.
Curing is where many beginners fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You want even heat across the belt and sufficient dwell to reach the producer's cure temperature throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel should be dry to the touch without any cool areas. For discharge, the chain reaction occurs throughout this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends on proper treatment and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and cracking. Water based prints show progressive softening and a mild fade in the exact same way denim unwinds. Plastisol's failure mode is various, typically cracking if the ink layer is too thick or under-cured. For customized t-shirts that require to look proficient at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles run at comparable speeds. Where it truly settles remains in viewed value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs overnight turn-around and art changes constantly, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with numerous colorways and must keep inventory flexible, a flexible water based combination on light garments is efficient, because you prevent the weight and stiffness that accumulate with several underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can fill in with discharge, specifically on high-absorbency cotton. If you need razor unfavorable area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell during curing, discharge days in the store are visible. Well-managed airflow alleviates this, however it becomes part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles Poly-cotton blends typically sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that gets rid of guesswork. A basic technique keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restrictions: fast art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you arrange catalog method. For styles that are high volume even at little everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are purchasing. They get the soft hand that retail customers equate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, typically a little uplift that can be neutralized by selecting a somewhat more economical blank. If the program is for wholesale t shirts entering into boutiques or e-commerce at superior price points, the improvement in viewed value more than covers the change.
For individualized shirts, such as charity runs or college clubs, options matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it basic and realistic so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will withstand normal laundering if effectively treated. I recommend phrasing care suggestions in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you want colors to remain crisp. The last note matters due to the fact that some conditioners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: 2 identical t-shirts, one custom graphic tees cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat much faster fading of mid-tones, yet still looked excellent. That tolerance originates from appropriate treatment, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that sell minimal runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments check out as custom from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The outcome: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temp for the right period. Use a donut probe or an embedded thermochromic strip to determine true ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood between prints, and control store humidity.
A third mistake is disregarding material irregularity. If you switch blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your buying. For brand names planning ahead, choosing a standard blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable custom-made clothing that customers keep using, water based inks deserve the learning curve. Use standard water based on light garments for clean detail and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for slight color variance with discharge, particularly across color lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then record your settings and hold back a reference shirt for quality control.
If you run a print as needed brochure, take a water based pill of finest sellers on light t-shirts. Market promotional products the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a client rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge provide, and why they are worthy of a place in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515