Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous stress: the push for softer, more breathable prints that people in fact enjoy wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually shaped how I choose inks, pretreatments, and fabrics for customized apparel jobs. For many years, I've discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that produce stunning results and genuine convenience, particularly for T t-shirt printing that requires to withstand day-to-day wear.
If you run a brand, manage bulk t t-shirt orders, or merely want your customized t-shirts to feel like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The ideal choice can make the difference in between a shirt that gets worn once and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single characteristic describes most of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the shirt itself. For customized t shirts designed for convenience, this is the course to the "retail feel" clients ask for.
There are two main families: basic water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either require a heavier print or you switch to release. Release printing uses an activator that raises the dye from the fabric during treating, essentially bleaching the t-shirt's color in the printed locations, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks generally consist of fewer volatile organic substances than solvent-heavy alternatives and prevent PVC completely. Numerous are certified with stringent standards like Oeko-Tex or meet retail screening routines that prohibit specific phthalates and heavy metals. If you offer custom apparel into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at shop practices: filtering on your washout cubicle, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, normally based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, direct exposure is controlled and waste is caught. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee because they like the ink. They purchase it because the garment looks great, feels great, and keeps that character after duplicated washing. Water based inks, consisting of discharge, provide you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear clients choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it belongs to the medium. Many designers embrace the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for corporate logos, either order test prints on the specific batch you prepare to use or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership between screen printing and embroidery ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just lifts the cotton portion. That means your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vibrant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on completed garments, anticipate little spaces along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you pause too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a constant range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will see how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent speed, minimize clogging.
Curing is where many novices miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the difference. You want even heat throughout the belt and sufficient dwell to reach the producer's remedy temperature throughout the ink layer, not just at the surface area. Shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chain reaction takes place during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlive the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual best fabrics for DTG printing examination for fading and cracking. Water based prints reveal steady softening and a gentle fade in the same way denim relaxes. Plastisol's failure mode is different, usually breaking if the ink layer is too thick or under-cured. For tailored shirts that require to look proficient at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, vehicles run at comparable speeds. Where it really pays off remains in perceived value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with numerous colorways and need to keep inventory flexible, a flexible water based combination on light garments is effective, since you avoid the weight and tightness that build up with numerous underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, especially with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell throughout curing, discharge days in the store are noticeable. Well-managed air flow reduces this, but it belongs to the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that gets rid of guesswork. An easy method keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restraints: quick art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize catalog technique. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Customers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are buying. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, often a little uplift that can be neutralized by selecting a somewhat more cost-effective blank. If the program is for wholesale t shirts going into boutiques or e-commerce at exceptional cost points, the enhancement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, alternatives matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it basic and sensible so the t-shirt endures reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will withstand normal laundering if effectively treated. I suggest phrasing care ideas in human terms on product pages: wash cold with similar colors, tumble dry low, avoid material conditioners if you desire colors to remain crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually tested these instructions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly faster fading of mid-tones, yet still looked great. That tolerance comes from right treatment, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of combating joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that sell minimal runs can validate cut-and-sew for 100 to 300 pieces if the design necessitates it. The ended up garments read as custom-made from a range, which is the goal.

One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on three blacks from two mills. Batch one raised photo t shirts easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but Silk screen so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temperature for the ideal duration. Utilize a donut probe or an ingrained thermochromic strip to measure true ink film temperature level, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control store humidity.
A 3rd mistake is overlooking fabric variability. If you switch blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Develop contingency into your getting. For brands preparing ahead, picking a basic blank and locking it with your provider minimizes surprises.
If your top priority is soft, breathable custom apparel that consumers keep wearing, water based inks are worth the learning curve. Use standard water based upon light garments for clean detail and matte color. Move to release on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for slight color variation with discharge, specifically across dye lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then document your settings and keep back a recommendation shirt for quality control.
If you run a print on demand brochure, take a water based capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a client rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge deliver, and why they are worthy of a place in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515