Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people in fact delight in using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has shaped how I select inks, pretreatments, and fabrics for custom apparel projects. Throughout the years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce gorgeous outcomes and genuine convenience, particularly for T shirt printing that needs to withstand daily wear.
If you run a brand, handle bulk t shirt orders, or just desire your customized t-shirts to seem like a favorite from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The best option can make the distinction in between a shirt that gets used once and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks soak up into the fibers. That single particular discusses the majority of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often equivalent from the shirt itself. For custom t shirts designed for comfort, this is the path to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a heavier print or you change to release. Release printing uses an activator that lifts the dye from the material throughout curing, essentially bleaching the shirt's dye in the printed locations, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks typically contain fewer unpredictable organic substances than solvent-heavy alternatives and avoid PVC completely. Many are compliant with strict requirements like Oeko-Tex or fulfill retail testing programs that prohibit certain phthalates and heavy metals. If you offer custom-made apparel into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at shop practices: purification on your washout cubicle, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run store, exposure is controlled and waste is recorded. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability hides in the details.
Most individuals do not buy a graphic tee due to the fact that they like the ink. They buy it since the garment looks excellent, feels excellent, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, give you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often obtain from heavy plastisol when you extend throughout the chest.
I keep a shelf of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear clients prefer, but the wearer feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still dealing with a background that is shifting as the dye is removed.
That's not a defect, it belongs to the medium. Many designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for corporate logo designs, either order test prints on the exact batch you prepare to utilize or think about a water based underbase or hybrid technique where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on screen printing and embroidery panels before assembly. Garment printing all over on finished tees presents seams, folds, and irregular pressure that appear as blank micro-gaps. If you must print on finished garments, expect little spaces along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on material however can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a stable range, approximately 45 to 55 percent, to avoid early drying. Manual press operators will notice how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent speed, lower clogging.
Curing is where many newbies fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient airflow makes the distinction. You want even heat across the belt and adequate dwell to reach the maker's remedy temperature throughout the ink layer, not simply at the surface. T-shirts exiting the tunnel ought to be dry to the touch with no cool spots. For discharge, the chain reaction occurs during this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon proper cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints show gradual softening and a mild fade in the same method jeans unwinds. Plastisol's failure mode is different, usually splitting if the ink layer is too thick or under-cured. For individualized t-shirts that require to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars perform at comparable speeds. Where it actually pays off remains in viewed worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turn-around and art changes constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t shirts with multiple colorways and must keep inventory versatile, a flexible water based palette on light garments is efficient, since you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas DTG artwork requirements can complete with discharge, particularly on high-absorbency cotton. If you need razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than relying on a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell throughout curing, discharge days in the shop are noticeable. Well-managed airflow reduces this, however it belongs to the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that removes guesswork. A basic method keeps surprises at bay and assists you hit deadlines for launches and events.
Print on demand has its own restrictions: quick art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize catalog method. For styles that are high volume even at small everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are purchasing. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, frequently a little uplift that can be neutralized by choosing a slightly more economical blank. If the program is for wholesale t shirts going into stores or e-commerce at exceptional cost points, the enhancement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, choices matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it basic and sensible so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will endure regular laundering if effectively treated. I suggest phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you desire colors to remain crisp. The last note matters since some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I have actually checked these instructions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat much faster fading of mid-tones, yet still looked excellent. That tolerance originates from appropriate remedy, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling seams, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The completed garments check out as customized from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We sampled on three blacks from 2 mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the needed temp for the ideal period. Use a donut probe or an embedded thermochromic strip to determine real ink movie temperature, not simply dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control store humidity.
A third pitfall is ignoring material irregularity. If you switch blanks mid-run because a size runs out stock, you may see shifts in color. Develop contingency into your buying. For brands planning ahead, choosing a basic blank and locking it with your supplier decreases surprises.
If your top priority is soft, breathable custom garments that consumers keep using, water based inks are worth the learning curve. Use basic water based upon light garments for clean information and matte color. Move to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and plan for minor color variation with discharge, especially across dye lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then record your settings and hold back a recommendation shirt for quality control.
If you operate a print on demand catalog, take a water based pill of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a location in any serious store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515