Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent tension: the push for softer, more breathable prints that individuals in fact enjoy using, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has shaped how I select inks, pretreatments, and fabrics for customized clothing projects. For many years, I have actually learned that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning results and real comfort, especially for T shirt printing that needs to stand up to everyday wear.
If you run a brand, handle bulk t t-shirt orders, or simply desire your individualized t-shirts to feel like a favorite from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The right choice can make the distinction between a t-shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a movie, water based inks absorb into the fibers. That single characteristic discusses the majority of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often equivalent from the t-shirt itself. For customized t shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are two primary families: basic water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either require a much heavier print or you change to release. Release printing uses an activator that raises the dye from the material during curing, essentially bleaching the t-shirt's dye in the printed locations, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks normally include less unpredictable organic substances than solvent-heavy alternatives and avoid PVC altogether. Numerous are compliant with stringent requirements like Oeko-Tex or satisfy retail screening regimes that prohibit particular phthalates and heavy metals. If you sell customized clothing into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise require to look at shop practices: purification on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is captured. If you're utilizing print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability conceals in the details.
Most people do not buy a graphic tee since they like the ink. They buy it due to the fact that the garment looks great, feels great, and keeps that character after repeated washing. Water based inks, consisting of discharge, provide you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you extend throughout the chest.
I keep a rack of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear clients prefer, but the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different dye lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment Screen reclaiming you include guides the last color, but you're still working with a background that is shifting as the color is removed.
That's not a defect, it belongs to the medium. Many designers welcome the somewhat vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for corporate logos, either order test prints on the specific batch you plan to use or consider a water based underbase or hybrid technique where required. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton part. That indicates your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, vivid color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on ended up garments, anticipate little spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry DTG vs screen printing faster in the screen, which works on material but can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print space humidity in a stable range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will discover how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent speed, reduce clogging.
Curing is where many beginners fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient airflow makes the distinction. You want even heat throughout the belt and enough dwell to reach the maker's treatment temperature throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction occurs throughout this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and splitting. Water based prints show progressive softening and a gentle fade in the exact same method jeans relaxes. Plastisol's failure mode is various, typically breaking if the ink layer is too thick or under-cured. For tailored t-shirts that need to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, cars run at similar speeds. Where it truly settles remains in viewed value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs over night turn-around and art changes continuously, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t t-shirts with several colorways and should keep inventory versatile, a versatile water based palette on light garments is effective, because you prevent the weight and stiffness that build up with multiple underbases in plastisol.
Design preparation starts with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can fill in with discharge, particularly on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than relying on a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell throughout curing, discharge days in the store are noticeable. Well-managed airflow mitigates this, but it belongs to the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that gets rid of guesswork. An easy method keeps surprises at bay and assists you struck due dates for launches and events.
Print on demand has its own restraints: quick art modifications, little batch sizes, and the need for a broad color range. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize catalog technique. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol job, I describe what they are purchasing. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a small uplift that can be neutralized by picking a somewhat more economical blank. If the program is for wholesale t shirts entering into shops or e-commerce at premium rate points, the enhancement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and reasonable so the t-shirt makes it through reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure normal laundering if correctly treated. I suggest phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters since some conditioners can transfer movies on fibers, dulling the visual contrast of fine lines.
I have actually checked these instructions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked excellent. That tolerance comes from appropriate remedy, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting seams, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments check out as customized from a range, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on 3 blacks from two mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temperature for the right period. Utilize a donut probe or an embedded thermochromic strip to measure true ink film temperature level, not just dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control store humidity.
A third mistake is disregarding fabric irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you might see shifts in color. Construct contingency into your purchasing. For brands planning ahead, choosing a basic blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable custom-made clothing that customers keep wearing, water based inks deserve the knowing curve. Use basic water based on light garments for tidy information and matte color. Transfer to discharge on one hundred percent cotton when you want the softest prints on dark shirts. Accept and plan for minor color variance with discharge, particularly across color lots. For bulk t shirt orders, integrate in a single round of physical tasting on the actual blanks you will utilize, then record your settings and keep back a reference shirt for quality control.
If you operate a print on demand brochure, carve out a water based pill of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge provide, and why they should have a location in any major store print on demand DTG or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515