Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant tension: the push for softer, more breathable prints that people actually enjoy wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I choose inks, pretreatments, and materials for customized apparel tasks. For many years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and real convenience, particularly for T shirt printing that requires to stand up to everyday wear.
If you run a brand, handle bulk t t-shirt orders, or just desire your individualized t-shirts to seem like a favorite from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right choice can make the difference in between thread colors a shirt that gets worn once and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks soak up into the fibers. That single particular explains most of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often indistinguishable from the shirt itself. For customized t shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are 2 main households: basic water based and discharge. Standard water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either need a much heavier print or you switch to discharge. Discharge printing uses an activator that lifts the dye from the material throughout treating, essentially bleaching the t-shirt's color in the printed locations, then changes it with your pigment. The end result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks usually contain fewer unpredictable organic compounds than solvent-heavy options and avoid PVC altogether. Numerous are certified with strict requirements like Oeko-Tex or fulfill retail screening routines that ban certain phthalates and heavy metals. If you sell customized clothing into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also need to look at shop practices: filtration on your washout cubicle, recover chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, generally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is managed and waste is recorded. If you're using print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee because they like the ink. They purchase it because the garment looks great, feels good, and keeps that character after repeated cleaning. Water based inks, including discharge, offer you that broken-in comfort from bulk custom t shirts the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear clients choose, but the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, but you're still dealing with a background that is moving as the dye is removed.
That's not a defect, it belongs to the medium. Numerous designers accept the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color reproduction for business logo designs, either order test prints on the specific batch you prepare to utilize or consider a water based underbase or hybrid approach where required. For wholesale t shirts that will be distributed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton portion. That suggests your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print custom long sleeve shirts that looks intentional if you design for it. If your goal is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on completed garments, expect small voids along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which works on material but can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a consistent variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent rate, minimize clogging.
Curing is where many novices fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You desire even heat across the belt and enough dwell to reach the producer's treatment temperature level throughout the ink layer, not just at the surface area. T-shirts exiting the tunnel needs to be dry to the touch with no cool spots. For discharge, the chain reaction happens throughout this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured wholesale t shirts water based print on cotton can outlast the DTG t shirts shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and cracking. Water based prints show progressive softening and a gentle fade in the exact same method denim unwinds. Plastisol's failure mode is various, normally cracking if the ink layer is too thick or under-cured. For customized t-shirts that need to look proficient at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, autos run at similar speeds. Where it truly settles remains in viewed value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you take on wholesale t shirts with multiple colorways and need to keep inventory flexible, a flexible water based combination on light garments is effective, given that you prevent the weight and tightness that accumulate with multiple underbases in plastisol.
Design preparation begins with the fabric color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell during treating, discharge days in the store are noticeable. Well-managed airflow alleviates this, but it becomes part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that removes guesswork. A simple technique keeps surprises at bay and helps you hit due dates for launches and events.
Print on demand has its own restrictions: quick art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you organize brochure technique. For styles that are high volume even at small everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are purchasing. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, typically a little uplift that can be neutralized by choosing a somewhat more cost-effective blank. If the program is for wholesale t shirts going into shops or e-commerce at exceptional cost points, the improvement in perceived value more than covers the change.
For customized shirts, such as charity runs or college clubs, choices matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and reasonable so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will endure typical laundering if effectively cured. I suggest phrasing care tips in human terms on product pages: wash cold with similar colors, topple dry low, prevent fabric softeners if you want colors to remain crisp. The last note matters because some softeners can transfer films on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little quicker fading of mid-tones, yet still looked great. That tolerance comes from appropriate cure, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The ended up garments check out as customized from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from two mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the ideal period. Utilize a donut probe or an ingrained thermochromic strip to determine true ink film temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control store humidity.
A third pitfall is overlooking material irregularity. If you change blanks mid-run since a size is out of stock, you might see shifts in color. Build contingency into your getting. For brand names planning ahead, picking a basic blank and locking it with your provider lowers surprises.
If your priority is soft, breathable custom apparel that clients keep wearing, water based inks are worth the learning curve. Use basic water based on light garments for clean information and matte color. Relocate to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for small color variation with discharge, especially throughout dye lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will utilize, then document your settings and keep back a reference shirt for quality control.
If you run a print as needed brochure, take a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they should have a location in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515