Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals in fact take pleasure in wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has actually shaped how I select inks, pretreatments, and fabrics for custom garments tasks. Over the years, I've learned that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and genuine convenience, particularly for T shirt printing that requires to withstand day-to-day wear.
If you run a brand name, handle bulk t t-shirt orders, or simply desire your customized t-shirts to seem like a favorite from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The right option can make the distinction between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a film, water based inks absorb into the fibers. That single particular explains the majority of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For customized t shirts developed for convenience, this is the course to the "retail feel" clients ask for.
There are two main families: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the ideal base, but once you move into darker materials, you either require a heavier print or you switch to release. Release printing uses an activator that raises the dye from the material during curing, basically whitening the t-shirt's color in the printed locations, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally contain less unstable natural compounds than solvent-heavy alternatives and avoid PVC altogether. Lots of are certified with strict requirements like Oeko-Tex or satisfy retail screening regimes that prohibit certain phthalates and heavy metals. If you offer customized clothing into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You likewise require to take a look at store practices: filtration on your washout cubicle, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is captured. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability conceals in the details.
Most people do not buy a graphic tee since they love the ink. They purchase it due to the fact that the garment looks good, feels excellent, and keeps that character after duplicated washing. Water based inks, including discharge, give you that broken-in convenience from day one. On DTF printing an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes receive from heavy plastisol when you extend throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear customers choose, but the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, however you're still working with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Numerous designers embrace the a little vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color reproduction for business logos, either order test prints on the exact batch you plan to utilize or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only raises the cotton portion. That suggests your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on ended up garments, anticipate little spaces along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, rush order t shirts say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity custom t-shirt printing in a steady range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, lower clogging.
Curing is where many beginners fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You want even heat across the belt and adequate dwell to reach the producer's treatment temperature level throughout the ink layer, not just at the surface. T-shirts leaving the tunnel must be dry to the touch with no cool spots. For discharge, the chain reaction takes place during this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate cure and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and splitting. Water based prints show progressive softening and a gentle fade in the exact same way jeans relaxes. Plastisol's failure mode is various, typically cracking if the ink layer is too thick or under-cured. For individualized t-shirts that require to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, cars run at similar speeds. Where it water-based pigment inks truly pays off remains in viewed worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires over night turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t shirts with multiple colorways and must keep stock flexible, a flexible water based palette on light garments is effective, considering that you prevent the weight and tightness that accumulate with several underbases in plastisol.
Design planning starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, especially with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor during treating, discharge days in the shop are obvious. Well-managed air flow mitigates this, however it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes uncertainty. An easy approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restrictions: fast art modifications, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange catalog technique. For designs that are high volume even at small day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are buying. They get the soft hand that retail clients equate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, frequently a little uplift that can be neutralized by selecting a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at premium rate points, the improvement in viewed value more than covers the change.
For individualized shirts, such as charity runs or college clubs, alternatives matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it basic and realistic so the t-shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will withstand typical laundering if effectively cured. I recommend phrasing care suggestions in human terms on item pages: wash cold with comparable colors, topple dry low, avoid fabric softeners if you desire colors to remain crisp. The last note matters because some conditioners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've tested these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly faster fading of mid-tones, yet still looked great. That tolerance originates from appropriate treatment, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of fighting joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments check out as custom from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that seemed like it lived in the material. We sampled on three blacks from two mills. Batch one raised easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the best duration. Use a donut probe or an embedded thermochromic strip to measure true ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood in between prints, and control store humidity.
A 3rd risk is overlooking material variability. If you switch blanks mid-run because a size is out of stock, you may see shifts in color. Construct contingency into your acquiring. For brand names planning ahead, choosing a standard blank and locking it with your supplier lowers surprises.
If your top priority is soft, breathable custom-made apparel that customers keep using, water based inks deserve the learning curve. Use standard water based upon light garments for tidy information and matte color. Transfer to discharge on 100 percent cotton when design your own shirt you desire the softest prints on dark t-shirts. Accept and plan for minor color variation with discharge, particularly throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and hold back a reference shirt for quality control.
If you run a print as needed brochure, take a water based capsule of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a client rubs their thumb throughout a print and feels absolutely nothing however fiber, you've won. That's the minute water based and discharge deliver, and why they are worthy of a place in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515