Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in constant stress: the push for softer, more breathable prints that people actually enjoy wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and materials for custom clothing jobs. Over the years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce gorgeous outcomes and real convenience, specifically for T shirt printing that requires to stand up to day-to-day wear.
If you run a brand, handle bulk t shirt orders, or just desire your individualized t-shirts to feel like a favorite from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The ideal choice can make the difference in between a shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks take in into the fibers. That single characteristic explains most of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often equivalent from the shirt itself. For customized t t-shirts developed for comfort, this is the path to the "retail feel" clients ask for.
There are two main families: basic water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either need a heavier print or you switch to release. Discharge printing uses an activator that raises the color from the material throughout curing, essentially bleaching the shirt's dye in the printed locations, then changes it with your pigment. The end result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically consist of less volatile organic compounds than solvent-heavy alternatives and avoid PVC entirely. Numerous are compliant with rigorous requirements like Oeko-Tex or satisfy retail screening programs that prohibit certain phthalates and heavy metals. If you sell custom apparel into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You also require to take a look at shop practices: purification on your washout booth, recover chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, exposure is controlled and waste is caught. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most individuals do not buy a graphic tee because they like the ink. They purchase it since the garment looks excellent, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, offer you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend across the chest.
I keep a shelf of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear clients choose, but the wearer feedback corresponds: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different dye lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still dealing with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Many designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color recreation for business logo designs, either order test prints on the specific batch you plan to utilize or think about a water based underbase or hybrid method where needed. For wholesale t t-shirts that will be dispersed Gildan blanks nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton part. That indicates your color fills the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on finished garments, expect small spaces along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which is useful on material but can lock a mesh if you pause too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a steady variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, reduce clogging.
Curing is where many novices fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the difference. You desire even heat throughout the belt and adequate dwell to reach the manufacturer's cure temperature throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel should be dry to the touch with no cool areas. For discharge, the chain reaction happens throughout this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and breaking. Water based prints show gradual softening and a gentle fade in the exact same method jeans unwinds. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For individualized custom shirt near me t-shirts that require to look good at a household reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, vehicles perform at similar speeds. Where it actually settles remains in viewed value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turn-around and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t t-shirts with multiple colorways and should keep inventory versatile, a flexible water based combination on light garments is effective, considering that you avoid the weight and stiffness that collect with several underbases in plastisol.
Design preparation begins with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.

Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than trusting a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small odor during curing, discharge days in the shop are visible. Well-managed airflow alleviates this, however it is part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but white ink underbase the particles often sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that eliminates guesswork. A simple method keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restraints: quick art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange brochure strategy. For designs that are high volume even at small everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship exact same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I discuss what they are purchasing. They get the soft hand that retail customers relate with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, typically a small uplift that can be reduced the effects of by choosing a somewhat more affordable blank. If the program is for wholesale t t-shirts going into stores or e-commerce at exceptional rate points, the enhancement in perceived value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, options matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and realistic so the shirt makes it through reality. Water based and discharge prints choose cooler washes and lower dryer heat, however they will withstand typical laundering if correctly cured. I suggest phrasing care ideas in human terms on item pages: wash cold with comparable colors, topple dry low, prevent fabric softeners if you want colors to stay crisp. The last note matters due to the fact that some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I've tested these directions in-house: 2 identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat quicker fading of mid-tones, yet still looked great. That tolerance comes from proper cure, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of combating joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that sell restricted runs can validate cut-and-sew for 100 to 300 pieces if the design necessitates it. The ended up garments read as custom from a range, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that seemed like it resided in the material. We tested on three blacks from 2 mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The result: consistent tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temperature for the right period. Use a donut probe or an ingrained thermochromic strip to determine true ink film temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control shop humidity.
A third mistake is neglecting fabric variability. If you switch blanks mid-run since a size runs out stock, you might see shifts in color. Construct contingency into your acquiring. For brands preparing ahead, picking a standard blank and locking it with your supplier decreases surprises.
If your priority is soft, breathable customized clothing that clients keep using, water based inks are worth the learning curve. Usage standard water based upon light garments for tidy information and matte color. Transfer to release bulk custom t shirts on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for small color variance with discharge, specifically throughout dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then record your settings and hold back a referral t-shirt for quality control.
If you operate a print on demand brochure, take a water based pill of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they deserve a place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515