Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in constant tension: the push for softer, more breathable prints that people really delight in using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has shaped how I pick inks, pretreatments, and fabrics for customized clothing tasks. Throughout the years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are useful tools that produce lovely results and real comfort, particularly for T shirt printing that requires to withstand daily wear.
If you run a brand, manage bulk t t-shirt orders, or simply desire your personalized t-shirts to feel like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The right option can make the distinction between a shirt that gets worn when and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks soak up into the fibers. That single characteristic describes the majority of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the shirt itself. For customized t shirts created for comfort, this is the path to the "retail feel" customers ask for.
There are 2 primary families: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either require a much heavier print or you change to discharge. Discharge printing uses an activator that raises the color from the fabric during curing, basically whitening the t-shirt's dye in the printed areas, then replaces it with your pigment. Completion outcome is the softest possible print on dark merchandise printing cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically consist of less unpredictable organic substances than solvent-heavy options and prevent PVC entirely. Numerous are certified with strict standards like Oeko-Tex or meet retail screening regimes that prohibit particular phthalates and heavy metals. If you sell custom garments into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at store practices: filtering on your washout booth, recover chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is controlled and waste is caught. If you're utilizing print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most individuals do not buy a graphic tee due to the fact that they love the ink. They purchase it since the garment looks excellent, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, provide you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases get from heavy plastisol when you stretch throughout the chest.
I keep a rack Squeegee pressure of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear clients choose, however the user feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various color lots discharge direct to garment differently, even within the same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still working with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Lots of designers embrace the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color reproduction for corporate logo designs, either order test prints on the exact batch you prepare to utilize or consider a water based underbase or hybrid approach where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton part. That implies your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you need to print on ended up garments, expect little spaces along joints, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which is useful on material but can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a steady variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant speed, reduce clogging.
Curing is where numerous newbies miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the difference. You desire even heat across the belt and adequate dwell to reach the producer's cure temperature throughout the ink layer, not just at the surface area. Shirts leaving the tunnel must be dry to the touch with no cool spots. For discharge, the chain reaction takes place throughout this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate cure and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and splitting. Water based prints show steady softening and a gentle fade in the same way jeans unwinds. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For individualized t-shirts that need to look good at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, automobiles run at similar speeds. Where it really settles remains in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires over night turnaround and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with several colorways and must keep inventory versatile, a flexible water based scheme on light garments is effective, because you prevent the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can fill out with discharge, particularly on high-absorbency cotton. If you need razor negative space, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed efficiency shirts, causing vector vs raster for DTG ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor odor during treating, discharge days in the shop are obvious. Well-managed airflow reduces this, but it becomes part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that eliminates uncertainty. An easy method keeps surprises at bay and helps you hit deadlines for launches and events.
Print as needed has its own constraints: fast art changes, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange catalog strategy. For styles that are high volume even at little day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel better than lots of DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are buying. They get the soft hand that retail customers relate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, often a small uplift that can be neutralized by picking a slightly more affordable blank. If the program is for wholesale t shirts going into boutiques or e-commerce at premium rate points, the enhancement in perceived worth more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it easy and reasonable so the shirt survives reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure regular laundering if correctly treated. I suggest phrasing care ideas in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid material softeners if you want colors to stay crisp. The last note matters since some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked great. That tolerance comes from appropriate treatment, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling joints, style for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments read as custom-made from a range, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that seemed like it lived in the material. We tested on three blacks from 2 mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The result: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the ideal period. Use a donut probe or an embedded thermochromic strip to determine real ink movie temperature level, not just dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control shop humidity.
A third mistake is disregarding material irregularity. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Build contingency into your buying. For brands planning ahead, picking a basic blank and locking it with your supplier minimizes surprises.
If your priority is soft, breathable custom clothing that clients keep using, water based inks deserve the knowing curve. Use basic water based upon light garments for tidy information and matte color. Relocate to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for small color variation with discharge, specifically across dye lots. For bulk t t-shirt orders, build in a single round of physical tasting on the real blanks you will utilize, then document your settings and keep back a referral shirt for quality control.
If you operate a print as needed brochure, carve out a water based capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge deliver, and why they should have a location in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515