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The group's music is flexible and has altered from album to album, but frequently-used elements include ambient music , improvisation , electronica , progressive rock and IDM intelligent dance music.

The group has also collaborated with King Crimson drummer Pat Mastelotto , engineer Bill Munyon and a variety of remixers. Initially trained as a pianist and a student of contemporary classical music with Karlheinz Straetmanns and Daniel Schell , plus Indian music with Ashok Pathak , he had switched to guitar in the late s and to touch guitar in initially Chapman Stick and subsequently Warr Guitar.

At around the same time, he had developing an interest in textural loop music. The two began to collaborate as centrozoon in early The first centrozoon album was the predominantly-ambient Blast , which was released on DiN Recordings in Reviewing the disc, ambient radio station Star's End commented "the duo of centrozoon produce spacemusic difficult to quantify, trace or categorize; their distinguishing characteristic being improvisation� Blast speaks to the listener with a musical vocabulary of contrasting harmonies and remarkable timbres� an album that is at once experimental, cerebral, spacious and engaging.

Blast creates its own space, colored by the listener's imagination. Blast was followed by Sun Lounge Debris , a collection of pieces of a varying nature, initially issued on British art-rock label Burning Shed in as a CD-R release. Allmusic noted the album's "ambient-inspired depths, with slowly progressing songs that unfold with layers of haunting, lovely drones that sound like soft sighs" and commented on the "definite hints of prog-tinged exploration throughout Reuter's a very deliberate player, and his skill at creating loops out of his performances establishes the shade and beautiful texture of the pieces.

Early hints of what the next centrozoon album would be like denser and faster, with strong electronic dance-rhythms incorporated were circulated later in on a CD EP called The Divine Beast. The first centrozoon release of was the self-released Centrophil inch vinyl EP, in which the band explored electronic remix culture in collaboration with electronic musician and producer Philipp Quaet-Faslem who would remain a frequent collaborator.

This revealing a much more intense centrozoon incorporating hard dance rhythms and lengthy, uninhibited touch guitar solos. Chain D. The Dutch Progressive Rock Pages described The Cult Of: Bibiboo as "an album full of sonic landscapes which though minimalistic and seemingly simple, is exceptionally rich sounding" while also commenting that "commercial is a word that cannot be whispered when listening to this release and unfortunately it is a case of like it or leave it.

In , while centrozoon worked in other areas, Synapscape released a remix EP of centrozoon material called Hands On centrozoon. For their next stage of activity, centrozoon began working as a trio with the addition of No-Man singer Tim Bowness , making several appearances with this line-up in the UK in and shifting their musical focus towards tightly structured songs.

The album featured guest performances from King Crimson drummer Pat Mastelotto on acoustic and electronic drums. Reviewing the album, Classic Rock commented "The stark, spooky arrangements of 'Bigger Space' and 'Ten Versions Of America' fail to disguise cunning hooks, the record's myriad charms unravelling the more it's played.

This brought the collaboration with Tim Bowness to an amicable close, although none of the three musicians have dismissed the possibility of working together again. By , centrozoon were mostly working in their original duo formation and released the Angel Liquor album on the Divine Frequency label. The Encyclopedia of Electronic Music called it "angular and daring� a curious experimental album with a haunting and sometimes warm atmosphere.

In , centrozoon released the Lovefield album on the Inner Knot label. This was a return to a more minimalistic and textural approach, with the music divided into five ambient "fields".

Reviews were mixed. Regen-Mag was measured in its praise, stating that the album "impresses in its constructions if not its musicality" and criticising "the lack of a firm anchor for the casual listener to latch onto" although approving the album for being "impressive in its sound design and construction if not for the musical value Later in , centrozoon made six hours worth of archive material available as a download release called Vacuum Love, Vols 1�5 released via MusicZeit.

This material dated back to the first days of centrozoon back in October , and featured original rough improvisations recorded live and direct to 2-track DAT. The band commented "The music is presented as is, uncensored. These sessions some of which were recorded live in the studio, some live on stage hint unmistakably at what was to come� There are some technical flaws with some of the recordings, but we've left them untouched in order to not mess with the flow of the improvisations.

This music is the seed of centrozoon as we know it. In , centrozoon once again expanded to a trio: this time, the third member was multi-instrumentalist and sound designer Tobias Reber.

Over the next four years the group played and recorded various concerts while collating material and approaches for the next record.

In , centrozoon announced the forthcoming release of a new album, Boner , which they described as a return to highly experimental work involving dense overdubbing drawn from dozens of hours of recording. This album is to be released in a limited edition of physical CDs, which in turn is to be divided into two separate but related releases: a version of Boner mixed and sequenced by Adrian Benavides and a version mixed and sequenced by Marziano Fontana both version mastered by longstanding centrozoon collaborator Lee Fletcher.

The band financed the recording of the album via a marketing campaign called "Bonestarter", in which they sold a variety of Boner -related packages including physical and digital versions of the album, signatures, Skype-based interviews, T-shirts, cover art, music tutoring sessions, musical applications and even the album's multi-track source recordings.

Boner was released on May 9, Post- Boner , the band have concentrated on live work, which they've documented on 's The Room of Plenty and the ongoing series drawn from their twentieth anniversary live tour.

Markus Reuter has a solo career in parallel to centrozoon and is a member of several other collaborative projects:. From Wikipedia, the free encyclopedia. Redirected from Bernhard Wostheinrich. Archived from the original on Retrieved CS1 maint: archived copy as title link Centrozoon announce Boner and Bonestarter.

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